{"id":6280,"date":"2022-02-04T12:32:12","date_gmt":"2022-02-04T11:32:12","guid":{"rendered":"https:\/\/ddhhaescena.wordpress.com\/?p=6280"},"modified":"2025-05-12T14:39:31","modified_gmt":"2025-05-12T12:39:31","slug":"en-proceso-aporofobia-stop","status":"publish","type":"post","link":"https:\/\/ddhhaescena.com\/eu\/en-proceso-aporofobia-stop-20220204\/","title":{"rendered":"En proceso: Aporofobia STOP"},"content":{"rendered":"\n

Aporofobia<\/em> es un t\u00e9rmino creado por la fil\u00f3sofa Adela Cortina para definir el rechazo, miedo u odio hacia los pobres<\/em>, que a menudo es origen de otras lacras como la xenofobia, la homofobia o el racismo. La recesi\u00f3n econ\u00f3mica (acrecentada por la pandemia) hace evidente la vulnerabilidad de cualquiera. Todos podemos, en determinadas circunstancias, llegar a quedarnos en la calle sin medios de subsistencia. Y este temor, parad\u00f3jicamente, exacerba en la sociedad el rechazo al que carece de medios o recursos.<\/span><\/p>\n\n\n\n

Ados Teatroa<\/a> , Asinsound y Bidebitarte Kooperatiba, en colaboraci\u00f3n con la Fundaci\u00f3n Gizakia Herritar (Paris 365),<\/a> hemos puesto en marcha el proyecto APOROFOBIA STOP<\/strong>, un trabajo para dar visibilidad a trav\u00e9s del teatro a personas en situaci\u00f3n de pobreza y exclusi\u00f3n.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Este proyecto se engloba en la l\u00ednea de trabajo Derechos Humanos a Escena \u2013 Giza Eskubideak Eszenara<\/strong> que, desde 2016, utiliza las artes esc\u00e9nicas como herramienta de transformaci\u00f3n social mediante el trabajo directo y EN PIE DE IGUALDAD con colectivos en riesgo de exclusi\u00f3n. En el caso de APOROFOBIA<\/strong> STOP<\/strong>, la finalidad es crear un espect\u00e1culo que reflexione sobre el t\u00e9rmino aporofobia<\/em>, creado por la fil\u00f3sofa Adela Cortina para definir el sentimiento de rechazo, miedo u odio de la sociedad hacia quien carece de recursos. La pobreza o el sinhogarismo no son caracter\u00edsticas inherentes a ning\u00fan ser humano, sino la consecuencia de una situaci\u00f3n de vulnerabilidad en la cual cualquier persona puede caer. Podr\u00edamos ser cualquiera, podr\u00eda bastar con sufrir de pronto una enfermedad, p\u00e9rdida de empleo o verse obligada a migrar por cualquier motivo.<\/p>\n\n\n\n

Los protagonistas de esta obra son usuarios reales de la Fundaci\u00f3n Gizakia Herritar<\/a>, entidad que proporciona 3 comidas al d\u00eda por 1 euro a personas sin hogar o sin techo. Cada uno de ellos colabora, por un lado, en la representaci\u00f3n de la obra y, por otro, en la producci\u00f3n de las 50 sillas que formar\u00e1n la escenograf\u00eda.<\/p>\n\n\n\n

Estas 50 sillas, son modelos \u00fanicos creados por los usuarios del comedor Paris365 a partir de un prototipo dise\u00f1ado ex profeso por Curro Claret<\/strong> , al que se ensamblar\u00e1n distintos materiales reciclados hasta conseguir un asiento completament nuevo. El dise\u00f1ador catal\u00e1n ser\u00e1 qui\u00e9n supervise las pautas est\u00e9ticas del taller<\/a>. Las sillas se pondr\u00e1n a la venta y el beneficio obtenido se utilizar\u00e1 en la autogesti\u00f3n del proyecto. <\/p><\/amp-fit-text>\n\n\n\n

Por su parte, la puesta en escena de estas sillas estar\u00e1 realizada por la directora Garbi Losada y se estrenar\u00e1 el 11 de marzo en el Teatro Ansoain<\/strong>, pudiendo ser contratada a partir de esa fecha a trav\u00e9s del correo adosteatroa@adosteatroa.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Trabajo que se engloba dentro del proyecto Derechos Humanos a Escena. En colaboraci\u00f3n con el comedor Social Paris365 y bajo la direcci\u00f3n de Garbi Losada, hemos creado un espect\u00e1culo para reflexionar sobre el sentimiento de rechazo, miedo u odio de la sociedad hacia quien carece de recursos. En gira en 2022 por Navarra y Euskadi. <\/p>\n","protected":false},"author":2,"featured_media":6291,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[24],"tags":[32,33,38,40,49,55],"class_list":["post-6280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aporofobia-stop","tag-gizaeskubideakeszenara","tag-innovacultural2021","tag-adosteatroa","tag-antzerkisoziala","tag-bidebitarte-kooperatiba","tag-derechoshumanosaescena"],"acf":[],"yoast_head":"\nEn proceso: Aporofobia STOP - Derechos Humanos a Escena<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ddhhaescena.com\/eu\/en-proceso-aporofobia-stop-20220204\/\" \/>\n<meta property=\"og:locale\" content=\"eu_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En proceso: Aporofobia STOP - Derechos Humanos a Escena\" \/>\n<meta property=\"og:description\" content=\"Trabajo que se engloba dentro del proyecto Derechos Humanos a Escena. 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